How to Sight Read Music - How to Sight Read Music – Learn Sight Reading Fast and Easy

Posts Tagged ‘Listener’

Howto

September 16, 2011

Learning to play piano

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pianomother asked:


Learning To Play Piano – www.pianomother.com Music is considered to be a sublime art form, which enthralls the listener. The gift of playing on a musical instrument is something that only a few people possess. Learning to play on a piano can be a wonderful experience. Piano learning is a step by step process and through different steps, one learns to play piano. Step 1 Sourcing a Suitable Teacher A good teacher can bring out the genius in you and so finding a right one, is a challenging task. A talented teacher can make the difficult task of piano learning, a simple task. A teacher can teach a pupil an apt method of learning, which is convenient for them. Step 2: Ought to Have A Piano Many people are under the assumption that they can learn piano, by listening to piano music and by reading books on it. While learning piano, one has to get access to a synthesizer or a piano. Playing a real piano can be a different experience compared to learning to play piano, from a book! Step 3: Learning Naturally Piano learning has to be done, according to your skill and aptitude. You have to patiently learn every aspect of playing piano. After learning a composition correctly, you can proceed to the next. Take one step at a time and learn at your own pace! Step 4: Practice, Thy Substitute Is None Practicing Piano consistently helps one to perfect the craft of piano playing. The nuances of playing piano, that is learnt during the piano learning sessions are reinforced, while practicing

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Jazz

July 12, 2011

Improvisation Barrier for Trombone?

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Daniel asked:


Hello and thank you for reading my question!

I am a trombone player, I consider myself to be quite accomplished as far as college level Jazz band and Classical band/orchestra goes. As long as there is sheet music in front of my face.

I have never felt comfortable improvising. I have tried some of the Jamie Abersold books, I have even taken lessons from Harry Meidema (Tenor Sax for the O’Jays) on how to improv.

I sight read most sheet music with ease, when it comes time to solo, I sound like a fish out of water (and that is being generous, more like an autistic, retarded, diabetic going through shock)

I have listened to the likes of JJ, Rosalino (who I ADORE, DAMN was he flexible!), and others.

I don’t wish to sound like a mimic or some strange combination of JJ and Rosalino (which any combination of the two is going to sound messed up).

I am able to mimic the technic of Rosalino as far as fliexibility goes (at least as much as any mortal dare try). However, the sheer melodious solos of JJ elude me.

I am a very right brained person, I freely admit that, I am good with taking what is written and then making it my own from there. As far as creating my own, I know that personal creativity comes into play.

Base question here:
I know how to play T-bone. I can read chord changes. What is a good way to use those skills with what I have heard and combine them into something original?

All help is appreciated, thanks for reading.
I will add the following details.

I know the scales that underlie each chord change, I can play them on demand in an independent setting.

However, utilizing them in a way that makes sense to a listener is another matter. I am dissonant and without meleodic guidance, Even when I am playing around with established standards,

how to sight read music

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